Firstly, you need to be sure that there is indeed a nice clean ending there for you to work with. Know how the current song is going to end.like anything simple, though, its mechanics are laid bare for all to see, and to get this one right requires more skill than you might imagine. This style of music doesn’t lend itself necessarily to anything more than a confident switch from one tune to the next. This simple mixing style is very much of today, with our modern fashion for short, choppy pop, dance and hip hop singles that start with a bang and end just as abruptly. Doesn’t matter if it’s an actual beat or not, just ensure that you’re at the start of a phrase so you respect the flow of the tracks together.Īlso, it doesn’t matter if the track is of a different BPM, or even a different genre, a fact that makes the Fade a great way to help you play more interesting sets that confidently cross genres and tempos.Īll you’ve got to do is listen to music radio for long enough to get a decent handle on the end-to-end. Just as your old track is disappearing, hit play on your new track, crisply and cleanly lined up right on the first beat of a musical phrase. Start the next track playing on a downbeat, lined up with the final downbeat on your outgoing track. ![]() If you start your fade just after the beginning of, say, an eight-bar musical phrase, you’ll want to be practically done with it by the end of that phrase so you can… Over the next ten to fifteen seconds, you can continue the Fade more gradually, now everyone’s clear what’s going on. The wrong way to fade a song out is to make people ask, ‘Is this or isn’t this fading out?’ You’ve got to be bold and knock a good chunk of that volume out right away.
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